samedi 11 décembre 2010

ALFABET (Seconda parte)

Musica: In Polonia la conoscenza della musica italiana è riassumibile in «Al Bano, Ramazzotti, Nek». Io, per conto mio, faccio del catechismo deandreiano, ma è un lavoro ingrato. Del resto, nemmeno i polacchi hanno un granché da offrire (o almeno, a sentir loro), se non questa Maria Peszek, di cui tutti parlano. Credo che perlopiù pensino di aver dato abbastanza al mondo con Chopin (che, tralaltro, in Polonia si chiama «Fryderyk Szopen»).

Numeri: I numeri sono forse la cosa più impronunciabile in polacco. La prima volta in cui sono riuscita a capire il prezzo della spesa pronunciato a velocità lampo da una grassa cassiera polacca volevo chiederle una foto ricordo. Per fare un esempio, il numero 66 («sessantasei»), in polacco è «sześćdziesiąt sześć» (pronuncia: sc-e-sc-c-ge-sc-an-t-sc-e-sc-c, dove an è come l´an francese di maman).

Orientamento: Varsavia è enorme, soprattutto per me che sono abituata a città della dimensione di uno sputacchio. Grazie al cielo si può sempre vedere profilarsi all´orizzonte il Palazzo della Cultura (che i polacchi affettuosamente chiamano «La Vendetta di Stalin») e avere un´idea della propria posizione. Il problema, però, è che Varsavia è piena di sottopassaggi. Per attraversarli ci sono due opzioni: armarsi di pazienza e rosario e imboccare ogni uscita sperando invano che sia la propria, oppure affidarsi a un cane-guida. 

Povertà: È strisciante, ma c´è. Non si trovano le sfilate di mendicanti sotto ai portici come a Milano (forse perché sono tutti persi nei sottopassaggi): l´indigenza è più sottile, e più diffusa. Più equamente ripartita. Si vede nelle piccole cose. Nei supermercati, lo yoghurt più economico è sempre esaurito. La maggior parte degli studenti lavora almeno al 50%. I musei sono popolati solo nei giorni di entrata gratuita. Gli orrendi vestiti della collezione Lanvin per H&M non se li è filati nessuno, perché 800 PLN per degli orli mal rifiniti sono un furto (ma in Italia le sedicenti fashioniste hanno fatto la coda per ore davanti ai negozi per accaparrarsene almeno uno). Nessun negozio, qui, è mai affollato quanto i second hand shops, e di questi ce n´è uno ogni angolo. 

Quartieri: Sono tantissimi, e ognuno è completamente diverso dall´altro. La città vecchia è stata ricostruita dopo la guerra, ma ospita solo negozi per turisti e bancarelle di Natale. Le due strade principali, su cui si affacciano i palazzi dell´Università, sono sede perlopiù di bar e caffè. Il nuovo «centro città» si trova all´altezza di Metro Centrum, dove sorgono diversi grattacieli luminescenti e un orrendo centro commerciale rotondo. Il quartiere di Praga, al di là della Vistola, è invece stato poco colpito dai bombardamenti, e vi si possono ancora trovare originali edifici prebellici. Per anni additato come «pericolosissimo», è oggi il focolaio dell´arte alternativa (sebbene molti Varsoviani si rifiutino tutt´ora di metterci piede). Żoliborz, piccolo quartiere verde nella zona Nord di Varsavia, è popolato da famigliole e studenti. Dovunque, nelle periferie, sorgono nuovi palazzoni per tenere il passo con la crescita della città. 

Roseti: Ogni parco ne ha uno, ogni quartiere ha almeno un parco. I più famosi sono i Giardini Sassoni (Ogród Saski), Łazienki Królewskie (quello con la statua di Szopen, con i concerti all´aperto), e Park Wilanowski. Un buon motivo per aspettare la primavera.

Sigarette: Costano poco, e questo già si sapeva. Ciò che non mi aspettavo era di veder fumare così tante sigarette sottili. In Italia ce ne sono poche (Vogue, Club) e vengono fumate da signore anziane o giovinette con pretese di divaggine. Qui in Polonia vi sono persino le Chesterfield in versione SLIM, e la cosa più sconcertante è che vengono fumate anche da moltissimi uomini eterosessuali.

Trasporti: Fatta eccezione per il tram 25, che di tanto in tanto decide di svoltare dove non dovrebbe (no, non ho ancora capito perché), i trasporti pubblici sono eccezionali. È possibile raggiungere ogni angolo di Varsavia in tempi ragionevoli, e a qualunque orario. Quasi come in Italia.

Uomini: Tanto sono belle le polacche, quanto sono brutti i polacchi. Pare però che siano molto gentili, galanti, cortesi; certo il loro côté estetico non fa venir voglia di approfondire per verificare. 

Verdura: I pomodori venduti in Polonia sono arancioni, piccoli, e non maturano mai; come i pomodori, la maggior parte della verdura è triste e smorta. I polacchi paiono non preoccuparsene: mangiano comunque soltanto patate, crauti (kapusta), e barbabietole.

Złoty: Sotto questo paragrafo potrei ovviamente scrivere che i prezzi, persino nella carissima Varsavia, sono bassi. Potrei, come tutti, ricordare che il mezzo di birra costa 8 złoty, e che 8 złoty sono circa 2 euro. Però poi dovrei ricordare a tutti che le cameriere vengono pagate 7 złoty all´ora, e mi pare che improvvisamente l´argomento diventi meno esaltante.
Vedi anche alla voce: povertà

Suzanne Eyre

mardi 7 décembre 2010

My vow of celibacy

 “...they reminded me that my fate was to only pursue ghosts, beings whose reality was mostly in my imagination; there are indeed beings – and it had been, since youth, my case – for whom all that has a fixed value, observable by others, wealth, success, high positions, does not matter; what they need, are ghosts. They sacrifice all the rest, put everything in motion, make everything serve the purpose of meeting a certain ghost. But this ghost soon vanishes; so you run after another one, even though it might mean ending up going back to the first one.” Marcel Proust

It was reading Dante that I was first taken with the idea of celibacy. Those of you who have had a Christian upbringing will be familiar with certain helpful notions, such as: lust = giving in to animal urges = lowly, when as far as I was concerned it had always been more like: lust = pleasurable = fun. Or that other “L” word, love. Love = loving God = loving everyone. Whereas I'd always been more with the “love = the person I am in love with = making one individual's happiness my priority”. I began learning these basic Christian notions reading Purgatorio, and as I did so I became more and more aware of how ever since hitting puberty I had wasted most of my energy and time on boys. And wasted energy is only the more humble way of putting it, for if I were allowed to let my terrible sin of vanity chime through I'd add: “And made an utter fool of myself more times than any rational individual would think possible”.

Why do I call it a waste of time and energy when before this turn over (coinciding with the end of my 20th year) I'd always considered it to be (and been told it was) quite an impressive thing, this passionate attachment I had for life, for love, for that stuff that makes novels and sitcoms and to me was just a normal day's work. What about the wonderful positiveness of always believing the best of people, of trusting strangers, which apart from extreme cases such as that of Blanche Dubois is a rather appreciable quality and a pleasant change from unjustified suspicion? Well, these chases, these dreams, were a waste of time and energy because they all pursued the ghosts described by Proust. Any good friend who was around at a time when I was running after a particular ghost will tell you that this being was only wonderful in my enthusiastic descriptions. Not one of these so admired lovers was worth this femininely one-way devotion. More ironically, I came to realise that some of these lovers were absolutely capable of devotion, of all-consuming adoration even, only it was strictly reserved to women who spurned them, thus proving that old worldly axiom that you only want what you cannot have, or, to put it Proust's way, that you only love those who do not love you.

There is however one solution that outwits the axiom, and it is called friendship. While over my twentieth year love of men was making me prodigiously unhappy, I was also being constantly cheered up by the wonderful friends I made. These friends were a rigorously two way love and they always made me smile, even when until a second before I had been crying. I love my friends and in no way I see this as being a waste of energy, for it is simply the best thing in my life. They are there to laugh at me when I am being too pretentious and to console me when I am having my failed artist rants... and then to laugh at me again. And another reason why pursuing ghosts is a ridiculous activity, is the fact that I have now come to see that being in love with a man made me a rubbish friend. Having one person as your one priority inevitably means not being available for an endless list of holidays, parties, projects and other adventures with your friends. You can claim you are the bestest most caring friend ever, but when you hang up on your depressed friend because you have to take a call from the boyfriend well... you are slightly contradicting yourself, aren't you? Celibacy as I live it does not mean renouncing my loving nature (a thing I'd be utterly incapable of anyway), but leaving my heart available to people who really matter: flesh and blood people, not ghosts.

The only issue really is one of identity. At catch ups with friends I was the entertainer, the one who always had a new story (“... and then I heard someone say “Hi”, and that was when we realised he had been sitting at the table next to ours all along!”), the one you could pat on the head (because if you ever thought your love life was going to pot, well, at least you were better off than the mad girl on your right), the one that made you smile when her face lit up describing how amazing this guy was (when everyone knew full well he was just some twat). Could I “be me” without all those boys to talk about? Well, next week it will be sixth months since I have been involved with a man in any way at all (I include just flirting), and I believe that I am still me. I still tell stories, only now they are about those involved in the play I'm directing, or my Dante tutor, or that friend I once mentioned, or the madman that feeds the ducks, or the pretentiousness of the French, or the truth about that guy's posed air of confidence. I still wave my hands a lot and imitate lots of voices and... people still laugh. I am still a melodramatically fun person. As to other aspects of self-definition well, I will admit I sometimes remain confused. For example, as far as compliments go there is quite a difference between “You have great legs” and “This essay shows sheer brilliance”. Not that I have done anything to go against this oxonianisation: now I don't care about meeting ghosts I tend to feel happy with my hair tied up, a big woolly jumper and an insightful book on Dante. The abandoning of those lowly animal instincts certainly has been accompanied by a triumph of the intellect in the sense that what gives me a buzz these days is a rehearsal where my actors were particularly funny or translating poetry. Not only that, but if I have to recall the one time a man approached me this last month it was not a pleasant experience: I felt extremely awkward and wanted to run away. And he was not ugly or insistant, it was just the new celibate me working herself up about nothing.

Before you go away thinking I have turned into a nun, I would like to point out that this does not mean I have abandoned the pleasures of the senses altogether (sorry Dante!) Indeed, good food, a soft bed or pleasant music will make me purr. It's just the men that have gone, and all this leaves me with is full devotion to my friends, more energy than ever for my play and some extra time for myself when I am not studying. All in all, I believe this is a much healthier lifestyle.

Reg de Saint-Loup

mardi 23 novembre 2010

Viaggio di una criminale per bene, fra i luoghi comuni e le luci di New York.



Essenzialmente, viaggio in treno per tre motivi.

1 Per poter attendere molto equosolidarmente lungo un binario disagiato, in piedi, con la schiena curva sotto il peso di una cultura antiborghese o ancor meglio seduta sul più comodo dei giacigli, per terra, fra le samsonite degli altri pendolari. Accogliere l'arrivo del treno come un'epifania, perché si ha un'attività cerebrale troppo profonda e complessa per cogliere queste facezie materiali, trascinare le clarks lise dall'uso e dalle difficoltà della vita d'artista, salire sul vagone con una trascuratezza pari solo all'impegno profuso per avvolgersi la sciarpa in lana grezza in modo accuratamente trascurato (l'idea è dimenticarsi di averla, quella sciarpa…quale sciarpa? Se c'è, qualcuno l'ha gettata lì intorno al collo, per caso ). Strisciare nello scompartimento cercando di emulare i riflessi di un bradipo, per parlare al mondo della propria vita davvero scombinata e insonne, accasciarsi su un posto che deve apparire il primo a caso, ma RIGOROSAMENTE lato finestrino, condizione essenziale per poter indossare lo sguardo tossico perso nel vuoto. Ad eventuali domande, rispondere con qualche secondo di ritardo, negare di conoscere la destinazione del treno, fornire risposte vaghe e sconnesse dal sapore oracolare. Non mostrare entusiasmo per nulla, salvo mostre di artisti contemporanei sconosciuti  e manifestazioni contro-qualcosa. Scendere dal treno all'ultimo, per caso, con una mano fra i capelli spettinati ad arte, con un'aria il più possibile disorientata ma politicamente consapevole e colta al contempo.


2 Per sentirmi una persona per bene. Sì, il viaggio in treno consente una vera e propria iniezione di autostima, come quando da piccoli facevamo in modo che la mamma venisse a controllare la cameretta perché, quella dannata volta, l'avevamo messa a posto; magari avevamo compresso tutto nell'armadio tre secondi prima, ma ci si sentiva fieri, avvolti dall'aura che è solo dei giusti. L'efficacia psicoterapeutica del treno è subordinata ad un elemento: il controllore. Se il controllore omette il controllo, se quando sta per adempiere la sua mansione è chiamato dall'altro lato del treno per sedare una sanguinosa rivolta, placare un devastante incendio, combattere contro il male, il fenomeno non può avere luogo. Perché accada, deve svolgersi una sequenza rituale di atti: il saluto ai passeggeri, con entusiasmo e intensità variabile dal macellaio rubicondo al becchino affabile; la richiesta orale del biglietto, accompagnata da gesto manuale, o per i più ganzi, un cenno del capo; la presentazione del biglietto, sull'altare dell'obliterazione. Questi tre atti rituali lasciano spazio ad una serie infinita di variabili, dipendenti dal tipo di personaggi che popolano il vostro scompartimento. Se siete di fianco ad un ansioso, al semplice occhieggiare di un lembo verde fango-grigio piccione della divisa ufficiale udirete un sommesso ma crescente tramestio, un rovistare concitato simile a quello di uno scoiattolo capitalista impegnato nell' inventario delle nocciole. L' ansioso non trova il biglietto ed il controllore STA per chiederglielo: molto grave.


Scanditi dalla tachicardia dell'ansioso, si consumano i secondi che mi separano dal controllore. Questi fa il suo ingresso, solenne come un cowboy a mezzogiorno, lanciando uno sguardo che sa di sfida, e di stanchezza. L'ansioso si divincola fra i braccioli; la vecchia pettegola -ve n'è sempre almeno una, collant color carne, folti baffi alla messicana e ultimo numero di "Gente"- pregusta il momento più eccitante della giornata; il tossico-senza-biglietto continua a dormire cullato dalla disapprovazione dei vicini; il borghese per bene solleva gli occhi dal suo libro per bene, estraendo con naturalezza il suo perbenissimo biglietto. Il bello, a questo punto, è aspettare. Basta qualche secondo, il tempo di frugare nella borsa, il tempo di alimentare la speranza morbosa della vecchia zitella...alcuni lunghissimi secondi durante i quali assumi le sembianze di un potenziale criminale.  Sulla terra ferma saresti solo un contravventore da quattro soldi ma qui, sul treno, sei un criminale di tutto rispetto. Pochi secondi, poi la svolta: sfoderare il biglietto, con un gesto svelto e sinuoso da prestigiatore, disarmare la carica poliziesca del controllore, lo Sceriffo di Nottingham lascia il posto a Winnie the Pooh, privare la zitella del pettegolezzo quotidiano. E inizi a sentirti leggero, onesto come l'insalata da Mc Donald. E inizi a sentirti normale. E inizi a sentirti come sempre. E infine inizi a sentirti mancante, incompleto, tapino! Si chiama assuefazione. Sorridi alla vecchia pettegola e, con grande dignità, affoghi il dispiacere nell’ultimo numero di Gente.


3 La verità, è che viaggio in treno per la gente. Molti dicono di voler girare il mondo, vedere volti nuovi, incontrare persone con cui condividere esperienze di vita cccioè tipo troppo avanti, cioè troooppo profonde, cccioè capito? Dovrebbero prendere il treno, davvero.
Un giorno si era in arrivo a Milano centrale ed io ero in piedi, prossima all'uscita, perché come al solito stavo per perdere la coincidenza, ed ero in fissa, sulla porta dell' uscita, perché come al solito vado in fissa. Si avvicina qualcuno, che dalla voce comprendo essere un uomo sui settant'anni e biascica qualcosa che suona più o meno: Skjdfegrhjjbdcjdjgagagaga-NEW YORK??
Ora, la geografia non è mai stata il mio forte, ma credo di saper distinguere la stazione di Milano da quella di New York, ammesso che lì esistano ancora i treni. Sempre in fissa, mi accorgo del tono interrogativo rivolto nei miei confronti e rispondo, in automatico: no, we're arriving at Milano Centrale. Sarà che la mia giacca verde pare una divisa, sarà che spesso ho i capelli raccolti in una treccia, la pettinatura affidabile per eccellenza, resta il fatto che mi capita sovente di imbattermi in turistame di vario genere, assetato di turistiche informazioni: ho quindi risposto in automatico, in inglese, senza pensare. La voce interrogativa scoppia in una fragorosa risata, per poi aggiungere, con cadenza napoletana: ma che credevi davvero che l'ho scambiata per New York???
Mi volto, al mio fianco si è materializzato il Baffone della Birra Moretti, ma alto circa un metro e cinquanta, vestito da investigatore-pensionato. "Prego?? Scusi, credevo fosse un turista, che ne so io..." Il bello è che mi sono anche scusata.
Il Baffo insiste sul ma-che-ti-credevi, poi si complimenta per la prontezza di quella che gli appare una risposta degna di un bilingue madrelingua. Ormai non sono più in fissa, che io lo voglia o no si è instaurata una conversazione. Step 1: parliamo del tempo. Step 2: ormai intimi, mi informa di essere diretto a Como, che si dà il caso essere la mia città e la mia destinazione. Inizio a credere che vi sia un disegno divino in tutto questo, compreso il dialogo tratto direttamente da qualche opera di Beckett. Mi comunica lo scopo del suo viaggio: prendere un caffè a Como. Mi complimento per il proposito, gli raccomando qualche locale. Scendiamo insieme, diretti verso quella che è ormai la NOSTRA  coincidenza. Mi affretto verso l'altro binario, trascinando rapida la valigia; lui mi segue trafelato, senza smettere di parlare, finché se ne esce con: ma che fai parte dei bersaglieri?
Proseguo imperterrita, consapevole di quanto siano svizzeri i treni svizzeri che passano per Como. Arriviamo al binario, giusto in tempo. Lui scopre che si tratta di un Intercity, e prende atto di come la magica tessera-pensionati contempli solo regionali: con gli occhi un pò più spenti, constata che le nostre strade si separano. Mi scopro dispiaciuta e gli tendo la mano: piacere di aver fatto la Sua conoscenza. Mi risponde che il piacere è suo, e si allontana, stringendosi nell’impermeabile. Perché non sale ugualmente? Quale controllore avrebbe il cuore di questionare sul regime di una tessera pensionati? Nel caso peggiore,versando la differenza. Il tempo di alzare lo sguardo, e quell’impermeabile è scomparso: solo un punto lontano, fra volti e valigie, verso le luci di New York.





Françoise Labaki

jeudi 18 novembre 2010

Généralisations


Les hommes mentent
aux femmes aimantes
sauf quand ils se lamentent
des femmes cruelles.

L'homme est comme un aimant
quand je vois mon amant
j'voudrais vraiment
me brûler la cervelle.


Reg de Saint-Loup


dimanche 14 novembre 2010

Traveling with bananas

In the traveler's handbook it is written not to travel hungry. You mustn't travel hungry because while prey to an empty stomach you neglect your surroundings, and you mustn't because then you will eat, paradoxically, poorly and expensively. You mustn't because if you are traveling in a country ruled by the siesta, you might not eat at all. One who travels hungry is a no-good traveler.

I am never hungry when I travel because I travel with a bag of food, either within another of my bags or held separately. The contents of my food bag do not compose a completely balanced diet, because it cannot include perishables, but it is filled with energy and nutrients in the form of cookies, fruit, and jams.

One of my favorite items to pack is bananas. Their peel makes them easy to pack, yet they are not so disastrous to peel as oranges. They are full of nutrients and are substantial enough to satisfy, especially when coupled with peanut butter.

But: packing bananas is a catch-22. Those fit for traveling are unfit to eat, and those fit to eat are unfit for traveling. Ripe bananas do not tuck away safely. If you put them on the top of your bag, they slide down the sides and get smushed; if you try to be clever and put them on the sides straightaway, obviously they still get smushed; if you put them in your pocket or hold them in your hands, you become one of those people who put bananas in their pockets and hold bananas in their hands. And should you take public transportation or challenge a fellow pedestrian to a race across the pedestrian subway, your bananas are surely lost.

I have tried to switch to green bananas while traveling, but I cannot acquire the taste. A banana that snaps and crunches is not pleasurable nor is it suited to any being that can tie double knots and skip stones across a park pond. These are beings that know the magic of simple pleasures, and are discerning enough to know that green bananas are not one.

In this way, then, packing bananas is like carving pumpkins, where any pumpkin you can carry back is by definition unfit to be carved. Still, I try. At a produce market in Dublin I bought a bunch of bananas for one euro, one-third of local supermarket prices, and knew that should I prove myself a good steward, I would have three days' worth of snacks.

My bunch began immediately to bruise: in my backpack they slipped beside my books, whose spines dug trenches in the peels, and in my hand, in a bag, they banged against telephone poles and other people. Upon returning to my hostel that evening, I discovered that market bananas cost one-third the price of supermarket bananas because by the time you arrive home from the market, you are left with a bunch of one-third bananas.

Packing bananas, given its risk, has caused me some psychological grief. As I walk about I am constantly thinking and worrying about them, my little yellow babies. I know I am putting them at risk each time I mount a bus or the subway, and when I find them indeed to have suffered because of me, little black clouds of violence sprouting along their bodies, I feel pangs of guilt. Had they had a more attentive steward, they might have reached the fruit bowl safely.

Unfortunately, even with my best care, I always let my bananas down. The best I can do is to eat them whole regardless, in order to make them feel loved despite their flaws as I consume them to the nub.

Westley Aubergine

vendredi 12 novembre 2010

Waiting for Judgement

 I have written a play and submitted it to a contest. It was a lot of fun. The first lines were scribbled in my room in Pavia during my (too) many idle hours, the thing got structured when I planned the scenes in a chalet in the Dolomites during my family week in the mountains, then, not feeling quite up to the task, I left it at that and enjoyed the rest of my summer holiday. Back in Brussels, however, sporadic breaks from the extended essay (that's Narratives of Time, not “if Time”, Chairman of the Board) were more than welcome, and once back in Oxford having discovered that the deadline for the Oxford University Drama Society New Writing Festival was in a month's time, the play was finished through storms of impassioned typing and to the sound of manic cackles, a pleasant change from the intellectual frowns and French swearing that accompanied most of my course work.

So the play was written to the great amusement of close friends – “Moi je croyais que ce serait une merde!”* one of these later confessed. Then it was put to the test by:
1) A reading by thespy friends (the line “Shut up you idiot!” had to be changed to “Shut up you dick!”)
2) A critical commentary from a good friend and cruel critic (“This is incredibly mature. It is the first good thing you've ever written. The rest is down there!”)
3) The choice of a title (an arduous task, where I ended up sticking to my instinct despite varying degrees of approval.)

The reading was wonderful: it turned out that the lines that made me cackle like an old witch when I wrote them had other people laugh out loud, while the characters' unhappy situations aroused more than one general: “Oh no!”. I started to believe that this play was actually quite good, and the final encouraging sign came when the friend who thought that the play would have been a “merde” and the critic of the double edged compliments got into a Skype conference argument over their opposed views on the main characters. Then came the more tense moment of printing it out, title, contact details and all, and submitting it. This last phase happened over Sunday and Monday.
And now, I wait.




If we refer ourselves to the teachings of Dante's ascent of Mount Purgatory, we must come to the conclusion that if I wrote a play, well, I have to thank God who made it possible for me to write a play and I have nothing to be proud of. Also, were this play to end up being one of the four finalists, that does not mean much, as worldly fame blows here and there like the wind and someone *COUGH* Dante *COUGH* will soon turn up and surpass me. Plus, Du côté de chez Swann back in the day had an absolute nightmare getting published, and Les Fleurs du Mal , as we all know, got censored, so critical acclaim does not really mean that much now, does it?

Monday night, after having submitted the play, I was having dinner in London with fellow blog journalist Westley Aubergine, my bastard-critic-adorable-friend and his girlfriend. The girlfriend asked me if I would send her the play, the critic's synopsis about its “incredible complexity yet undeniable simplicity” having sparked her curiosity. I took advantage of this turn of conversation to thank her boyfriend again for his exhaustive criticism. He replied: “Oh don't worry, it was great fun for me!”
“Really?”
“Yes! I keep thinking of when you'll be well-known and I can show off at parties.”

It was a pleasant vision. Not to say an extremely attractive one, and it did warm the heart to know that my friends believed in a future success. But I have been thinking about it a lot since and it has kept me tossing and turning in bed, repeating my characters' lines to myself like a Pirandellian lunatic. Here are some of the questions that have been agitating me, and the answers that were able to chase the voice in my head for a bit (but only for a bit) :

Could this play “make you famous”? It is possible. It is not probable, but that tiny possibility is there. Were you thinking of that possibility when you set about writing it? No, not really. To be honest, I didn't even know if I'd finish the thing, let alone get round to submitting it to a contest! Why did you write it? Well, I felt I had stuff enough to write about. So, what is there in those 44 pages? A lot, but in a few words, without the melodramatic rants you'd find on a diary page. The expression of a sense of cynicism which began when I was nineteen, my own insecurities and confusions as to the part literature should play in our lives, a merciless portrayal of human relationships in all their vanity. Nothing original, but it does get quite a lot of laughs. If it's not selected will you be upset? Well, obviously I will! Will you stop thinking it's any good? ...I'd like to think myself too arrogant for that. Will you still go on writing? That's a trickier question. I do think all writers write for someone, and imaginary someones aren't very chatty, they get dull after a while. In other words, until my friends have seriously had enough of me, I'll keep on writing. Plus, I guess I'd rather be a failed artist with an embarrassing anecdote or two, than a pompous academic with a string of strategically planned successes.






EPILOGUE
A few weeks later I found out that my play didn't make it. I am however still planning on seeing it staged and hopefully we shall take it to the Edinburgh Fringe.

Reg de Saint-Loup

samedi 6 novembre 2010

Goodnight Mr Bassington English

Edinburgh. 2005. He had walked in the narrow Scottish streets, alone. That very morning, he had suddenly begun his journey. Without any second thought. It was not his usual behaviour though. He, always so calm, so thoughtful, so stoical. What else could he have done? His bravery, his precious bravery had left him in the most critical moment. He had to pull himself together. To think. Yes, to think. To close himself to any emotion, any feeling and to think as a man. As a man. As a composed man. For once, he would have liked to be an animal, free of everything. Like this bird flying over the misty city and its pubs. No. He had to pull himself together. He had to think. He, so convinced of having a hand-reach great destiny. She, so beautiful, so natural and so sweet. She, whom he had not really had the time to know. And yet… Now, he was sitting here, facing the semblance of Romanian ruins that overhang the Scottish parliament. That sky. That sky, yet so grey, dazzled him. If only the night could fall to crush with its weight the horrible reality. If only it could enable him to face himself and restore his courage to brave the facts. For tonight, he will be an empty man. Without bravery. Without morality. A naked man. Sitting on the hill that overhangs the white building, he was waiting. The night. The calm. The emptiness.
Hours were flying by. He was not counting them. Waiting. Over and over. It was in the very beginning of the day that he had run away and had taken his car. On the highway, he had noticed the sign which indicated the exit to Edinburgh and had followed the stream of vehicles going into that direction. Maybe was it the time for him to go for a walk. After having found a parking lot, he had left without even bothering locking his nice car. The high technology of his new black Audi should have an automatic mechanism that would do it. He did not really care. She too ran away. She did not have the right to cut with such violence all the bonds that linked her to other human beings. He would have preferred to see her within the arms of another man than discovering her like he did. As he was walking, the wind tangled his hair and irritated his eyes. But it didn’t matter. At least would he find there a suitable excuse for the few tears falling down his cheeks.
His strolling had taken him until this odd white building. He had not been aware that he was already at the edge of the city, at the Scottish parliament. It was not until he had discovered the Queen’s castle, overcome by the modern building, that he had realized how far his steps had taken him. This vision. Again. This lifeless body. An incomprehension. She, yet so straight, had dared. Incomprehension. Disillusion. His restless wandering had resumed. He had then been walking between the parliament and the monarchy. Edinburgh’s no man’s land.
It was not until he had raised his eyes that he had noticed the small hill and lost himself in its contemplation. The diverse green colours that formed it deepened the greyness of the sky. It would surely rain soon. The grass and a few flowers accompanied the walker on his first yards of the climb, and the rocks and bushes overhanging the path were fine playgrounds for adventurous children. A small hill. He would be able to have a general view of the city from there. He had then begun to walk up the slope. Little by little. Lost in his thoughts, he had sometimes stumbled on the stones. From time to time, he had met tourists or families walking around. Nevertheless, the quest of loneliness is often obvious and, most of the time, only a very few people dare say more than a distant “Good morning”. He was subconsciously grateful to them not to speak. He had walked until the top of the hill and, there, had sat on a rock in order to stare passively to the misty city. Eternal questioning which brings to the world’s creation: why? At this moment, far from any philosophy, he wanted to find the reason of a simple and absurd act. Why did he find her there, lying in the middle of the bed, without any breath of life. Why on earth did she gave up!
The day was darkening quicker. The night would dress the invisible wounds. His look left in the maze of the edinburghian streets, he tried to think. She was his mistress for many years before she met her husband. They remained on good terms, avoiding any tempting meeting. She was faithful. He was honest. The husband seemed to take care of her. This was the reason why he had not understood. Why did her husband call him, he, when she had had intimacies with a few other men. Why did her husband call him, he, to tell him to come to their house for an emergency. Why did he have to help him to carry this flabby body, lifeless body, and yet so much loved. Her soul, the very essence of who she was, had vanished, dissolved in the room, and returned to a place of peace. At least, this was his hope. “God rest her soul” had he said once he had come to his senses. A prepared sentence, suitable to any similar occasion, when words fail to express oneself. In spite of the strangeness of the situation, he had assisted and supported the husband. A man of honour. Yes. And a man of great heart. It was only once he had come out of the house, at the very beginning of the day, that he had felt that peculiar nausea, this perfume of bitterness, disgust and incomprehension. It was only once he had come out of the house, at the very beginning of the day, that he had taken his car and had immersed himself in the vivid waves of the traffic to run away. Yes, he, he had run away. He would not attend the funeral. He would not be a support for anyone. Twenty-eight years old, a launched career, a strong training, a strict education and sincere love stories had made him become a fruitful man, strict and straight, but also kind and indulgent to others. But this very day, he did not dare lending his shoulder, too afraid that it would break down; no one would see his tears at the funeral; no one would ask why this dark haired and blue eyed stranger took part in the rituals. No. They alone had to come to terms with the malediction of the making her miserable, her, so sweet, so warm, and now so cold.
She had called him the day before and they had talked for hours. About this and that. But also about her career. She had suffered the consequences of the financial crisis. The company where she worked dismissed her. Overnight, she had been sent from a vivid and active world to the world of a housewife. She loved her husband, but yet was an active, attractive and ambitious woman. She was looking for a job. Despite her skills and many qualities, however, he could only offer her a secretary job for the nonce. She had accepted. Once she had been integrated in the company, she could have gotten accelerated promotions. But then why now? Why did she decide to end her days when she just found a job, when her family supported her and when she was loved and admired by men as well as by women. The mystery remained unsolved. The city had just lightened up. While a breeze caressed his face, he could admire the lights of homes and pubs of Edinburgh. The streetlights seemed to be headlights for the walkers lost in the fog. The Scottish world was soothing for the night. He could only feel a wide emptiness now.
A noise. Steps. A heavy breathing. Who could disturb the peace he just found after those two days of disappointment and incomprehension? Besides, who would go for a walk at this time, here, in the Scottish drizzle falling on the appeased city? He caught hold of a stick a walker must have abandoned here before starting the downhill to the civilisation, and waited. The steps got closer to him. His hands inconspicuously tightened on the piece of wood. He was still waiting when this dark tall and frail form appeared at the bend. A stray dog! He put the stick down next to him and plunged himself back in his thoughts, now distracted by the heavy breathing of the animal. His gaze lost in the contemplation of the city’s nightlife, he tried to focus his thoughts on the event of the day before. He had not understood and would never understand. All of a sudden, he felt a weight on his knees and, looking down, he realized that the animal had settled at his side, the head on his knees and the look lost in the horizon. Silent fellow of pain. The night had now plunged the city in a deep lethargy. Only a few streetlights and lanterns were still illuminating the Scottish fog with halos of lights. If the pain caused by the loss of a loved one would remain for years, the emotional shock of the body’s discovery was fading thanks to the calm, the serenity and the unreality of the landscape that he was contemplating. The heavy breathing had subsided. He looked down to the wild animal sleeping on his knees. The latter had an aristocratic attitude. Maybe was he not wild. But if so, what was he doing here, alone, roaming the hill? Maybe was he too looking for answers to canine questions or emotions. How would he know? He never was an expert in the field of domestic animals. Putting his hand on the animal’s hairy head, he said: “You too, goodnight M. Bassington”. Yes, Bassington was a perfect name for a fellow, a canine fellow, but yet having the manners of a lost aristocrat.
And so they tamed each other for a night, before his coming back to Ayr in the early morning, appeased and composed.

Châtillon

Goodnight Mr Bassington

Édimbourg. 2005. Il avait marché seul dans les rues étroites de la capitale écossaise. Le matin même, il avait entrepris ce voyage en un instant. Sans réfléchir. Cela ne lui ressemblait pourtant pas. Lui d’habitude si calme, si réfléchi, si stoïque. Qu’aurait-il pu faire d’autre ? Son courage, son précieux courage l’avait abandonné au moment le plus critique. Il devait se reprendre. Réfléchir. Oui, réfléchir. Se fermer à toute émotion, tout sentiment et réfléchir en homme. En homme. En homme posé. Pour une fois, il aurait voulu être un animal, libre de tout. Comme cet oiseau survolant la ville et ses pubs embrumés. Non. Se reprendre. Réfléchir. Lui, si persuadé d’avoir un grand destin à portée de main. Elle, si belle, si naturelle et si douce. Elle, qu’il n’avait pas eu vraiment le temps de connaître. Et pourtant. Maintenant, il se tenait assis là, face aux semblants de ruines romaines surplombant le parlement écossais. Ce ciel. Ce ciel pourtant si gris l’éblouissait. Pourvu que la nuit tombe, écrasant de son poids l’horrible réalité. Qu’elle lui permette de se retrouver face à lui-même et lui redonne le courage d’affronter les événements. Pour ce soir, il sera un homme vide. Sans courage. Sans honneur. Sans valeurs. Un homme nu. Assis sur la colline surplombant l’édifice blanc, il attendait. La nuit. Le calme. Le vide.
Les heures passaient. Il ne comptait pas. Attendre. Encore et encore. C’était en début de matinée qu’il avait fuit et pris la voiture. Sur l’autoroute, il avait aperçu le panneau indiquant la sortie Édimbourg et avait suivi le flot de véhicules s’engageant dans cette direction. Sans doute était-ce le moment pour lui de marcher un peu. Après avoir trouvé un parking, il s’en était allé sans même prendre la peine de fermer sa belle voiture à clef. La technologie de sa nouvelle Audi noire étant avancée, il existerait bien un mécanisme automatique. Qu’importe. Elle avait fui elle aussi. Elle n’avait pas le droit de couper ainsi violemment tous les liens qui la reliaient aux autres. Il aurait encore préféré la voir aux bras d’un autre homme que de la découvrir ainsi. En marchant, le vent emmêlait ses cheveux et lui irritait les yeux. Mais cela n’avait pas d’importance. Il pourrait y trouver une excuse convenable aux rares larmes qu’il s’autorisait.
Ses déambulations l’avaient amené devant cet étrange bâtiment blanc. Il n’avait pas compris qu’il était déjà arrivé à l’extérieur de la ville, au Parlement écossais. Ce n’est qu’en découvrant le palais de la reine, écrasé par l’édifice moderne, qu’il se rendit compte jusqu’où ses pas l’avaient porté. Cette vision. Encore. Ce corps sans vie. Une incompréhension. Elle, pourtant si droite, avait osé. Incompréhension. Désillusion. Son errance reprit. Il avançait maintenant entre le Parlement et la monarchie. Le no man’s land d’Édimbourg. Ironie du sort.
Ce n’est qu’en levant les yeux qu’il avait aperçu la petite colline et s’était perdu dans sa contemplation. Les différents verts qui la composaient intensifiaient la grisaille du ciel. Il pleuvrait sans doute bientôt. L’herbe et quelques rares fleurs accompagnaient le marcheur sur les premiers mètres de la montée et les roches et buissons surplombant le chemin offraient de beaux terrains de jeux aux enfants aventuriers. Une petite colline. Il pourrait sans doute de là observer la ville dans son ensemble. Il avait alors entamé la montée. Petit à petit. Perdu dans ses pensées, il lui arrivait parfois de trébucher sur les pierres. De temps à autre, il rencontrait des touristes ou des familles en promenade. Cependant, la quête de solitude est souvent visible et, dans certains moments tels que celui-ci, peu de personnes adressent la parole au-delà d’un distant « Bonjour ». Inconsciemment, il leur en était reconnaissant. Il avait avancé jusqu’au sommet de la colline et, à cet endroit, s’était assis sur une roche pour observer passivement la ville embrumée. Éternel questionnement menant à la création du monde : pourquoi ? À ce moment-ci, loin de toute philosophie, il voulait trouver la raison d’un geste à la fois simple et absurde. Pourquoi l’avait-il trouvée là, allongée au milieu du lit, sans plus un souffle de vie. Mais pourquoi donc avait-elle baissé les bras !
Le jour s’assombrissait davantage. La nuit viendrait panser ses blessures invisibles. Le regard perdu dans les dédales des ruelles édimbourgeoises, il tentait de réfléchir. Elle avait été sa maîtresse durant de nombreuses années avant qu’elle ne rencontre son époux. Ils étaient restés en bons termes tout en évitant les rencontres tentatrices. Elle était fidèle. Il était honnête. L’époux semblait prendre soin d’elle. C’est pourquoi il n’avait pas compris. Pourquoi l’époux l’avait-il appelé, lui, alors qu’elle avait eu tant d’autres aventures. Pourquoi l’époux l’avait-il appelé, lui, pour lui dire de venir en urgence. Pourquoi avait-il dû l’aider à porter ce corps flasque, sans vie, et pourtant tant aimé. L’âme, l’essence même de celle qu’elle avait été avait disparu, s’était dissoute dans la chambre, avant de rejoindre un lieu de paix. Du moins, l’espérait-il. « Dieu ait son âme » avait-il dit après avoir repris ses esprits. Phrase préparée, convenant à toute situation similaire, lorsque les mots font défaut. Il avait assisté et soutenu l’époux, malgré l’étrangeté de la situation. Un homme d’honneur. Oui. Et un homme de cœur. C’est en sortant de la maison, au petit matin, qu’il avait ressenti cette étrange nausée, ce parfum d’amertume, de dégoût et d’incompréhension. C’est en sortant de la maison, au petit matin, qu’il avait pris sa voiture et s’était immergé dans le flot vivant de la circulation pour fuir. Oui, lui, avait fuit. Il n’assisterait pas aux funérailles. Il ne serait un soutien pour personne. Vingt-huit ans, une carrière lancée, une formation solide, une éducation stricte et des histoires d’amour sincères en avaient fait un homme couronné de succès, strict et droit, mais aussi bon et indulgent envers autrui. Ce jour-là, en revanche, il ne se sentait pas le courage de prêter son épaule, de peur qu’elle s’écroule ; personne ne verrait ses larmes aux funérailles ; personne ne se demanderait pourquoi cet inconnu aux cheveux sombres et aux yeux clairs participait aux rituels. Non. Qu’ils assument seuls la malédiction de l’avoir rendue malheureuse, elle, si douce, si chaleureuse, et maintenant si froide.
Elle l’avait appelé la veille et ils avaient discuté durant des heures. De tout, de rien. Mais aussi de sa carrière. Elle avait subi les revers de la crise. La compagnie dans laquelle elle travaillait l’avait remerciée et congédiée. Du jour au lendemain, elle avait été projetée d’un monde vivant, actif, à celui de femme au foyer. Si elle aimait son époux, elle n’en restait pas moins femme active, séductrice et ambitieuse. Elle cherchait un emploi. Cependant, malgré les qualifications et nombreuses qualités qu’elle avait, il ne pouvait pour l’instant lui proposer qu’un simple poste de secrétaire. Elle avait accepté. Une fois intégrée dans l’entreprise, elle aurait pu monter les échelons. Mais alors pourquoi maintenant ? Pourquoi avait-elle décidé de mettre fin à ses jours alors qu’elle venait de retrouver du travail, que sa famille la soutenait et qu’elle était aimée et admirée tant par les hommes que par les femmes. Le mystère restait entier. La ville venait de s’éclairer. Alors qu’une brise lui caressait le visage, il pouvait admirer les lumières des foyers et pubs d’Edimbourg. Les lampadaires semblaient des phares pour promeneurs égarés dans le brouillard. Le monde écossais s’apaisait pour la nuit. Il ne ressentait maintenant plus qu’un grand vide.
Un bruit. Des pas. Une respiration lourde. Qui pouvait ainsi venir troubler la paix qu’il venait de trouver après ces deux jours de déception et d’incompréhension ? Qui d’ailleurs se promènerait à cette heure, ici, dans la bruine écossaise tombant sur la ville apaisée ? Il attrapa un bâton qu’un marcheur avait dû abandonner là avant d’entreprendre la descente vers la civilisation, et attendit. Les pas approchaient. Ses mains se resserrèrent discrètement sur le bout de bois. Il attendit encore. Au détour du tournant apparut alors cette forme sombre, grande et frêle. Un chien errant ! Il posa le bâton à côté de lui et se replongea dans ses pensées, maintenant distraites par la respiration lourde de l’animal. Les yeux perdus dans la contemplation de la ville nocturne, il tentait de concentrer ses pensées sur les événements de la veille. Il n’avait pas compris et ne comprendrait jamais. Soudain, il sentit un poids sur ses genoux et, baissant le regard, se rendit compte que l’animal s’était posé à ses côtés, la tête sur ses genoux, le regard perdu dans l’horizon. Compagnon de douleur silencieux. La nuit avait maintenant plongé la ville dans une léthargie profonde. Seuls quelques lampadaires et lanternes illuminaient encore le brouillard écossais d’un halo de lumière. Si la blessure provoquée par la perte d’un être aimé subsisterait durant des années encore, le choc émotionnel de la découverte du corps s’estompait grâce au calme, à la sérénité et à l’irréalité du paysage qu’il contemplait. La respiration lourde s’était apaisée. Il baissa son regard vers l’animal sauvage, endormi sur ses genoux. Ce dernier avait un petit air aristocratique. Sans doute n’était-il pas sauvage. Mais que faisait-il alors, seul, à errer sur cette colline ? Peut-être était-il, lui aussi, à la recherche de réponses à des questions ou émotions canines. Qu’en savait-il ? Il n’avait jamais été expert en animaux domestiques. Posant la main sur la tête poilue de l’animal, il lui dit « You too, goodnight M. Bassington ». Oui, Bassington était un nom parfait pour un compagnon, certes canin, mais aux allures d’aristocrate perdu.
C’est ainsi qu’ils s’étaient apprivoisés pour une nuit et qu’il était rentré à Ayr au petit matin, apaisé et posé.

Châtillon

jeudi 4 novembre 2010

Oxford After Pavia: Dinner


Reg de Saint-Loup

ALFABET (Prima parte)

Automobili: Mi pare che, quantomeno in Svizzera e nell’Italia del Nord, le città abbiano solo due tipi di ospiti: city-car e SUV. Sono quasi sparite, alle nostre latitudini, le station-wagon in cui tutti, almeno una volta, siamo montati con parenti vari per le vacanze al mare. Qui a Varsavia, invece, è ancora un tripudio di musi allungati, dalla Volvo 780 all’intramontabile Ford Escort dei primi anni ’90. Per nostalgici. Vedi anche alla voce  Fiducia.

Bomboloni: I sottopassaggi sono pieni di rivenditori di porcume fritto. Gli infidi bomboloni sorridono maliziosi a ogni  passante, forti del loro prezzo scandalosamente basso. Il vostro volume di Chimica Organica (nonché la vostra ultima copia di Donna Moderna) dovrebbero sconsigliarvene l’acquisto, ma essi, irresistibili, cantano:  “Ο γάρ πώ τις τδε παρήλασε νη μελαίν, πρίν γ μέων μελίγηρυν π στομάτων π κοσαι, λλ γε τερψάμενος νεται κα πλείονα εδώς

Coinquilino: Vedi anche alla voce  Italiani all’estero.  Il mio coinquilino è siciliano. Sta cercando di insegnarmi qualche parola nella lingua di Jacopo da Lentini, ma con scarsi risultati. Ciononostante, lui continua a ripetermi che sono “avanti”, “superiore alla media” in tutto e per tutto. Non ho ancora avuto voglia di spiegargli che una donna nata bruttina non può permettersi il lusso di essere anche stupida. O meglio, potrebbe, ma a quel punto sarebbe costretta ad essere simpatica, e chi mi conosce sa bene che la simpatia non è il mio forte. 

Divertimento: Praga è IL quartiere della vita notturna, se mi assomigliate almeno un po’. Lì nei locali la gente sembra divertirsi sul serio. Ci sono molti luoghi danzerecci anche nel centro, ma le persone sembrano sempre massimamente impegnate a sistemarsi il capello. Però io forse non faccio testo: trovo che non ci sia niente di più noioso del divertimento, oggigiorno. 

Est Europa: Se volete evitare figuracce, ricordatevi che la Polonia è centro-Europa, non Europa dell’Est. O almeno, di questo sono convinti i suoi abitanti, che difatti finiscono per soffrire dell’Eastern Complex, riducendosi a frustrare qualunque istinto non sia direttamente riconducibile all’Ovest. 

Fiducia: Il nostro padrone di casa ci ha montato la nuova serratura davanti agli occhi, “così siamo sicuri che le vostre chiavi le avete solo voi”. Il ragazzo che è venuto a prendermi alla stazione aveva, sulla macchina musona [ Automobili], un antifurto che valeva circa il doppio dell’auto stessa. Vedi anche alla voce  Povertà.

Gambe: È questo che rende le polacche straordinarie. Non i capelli biondi, non gli occhi chiari: le gambe. Sono spesso storte, è vero, ma sono sempre in mostra. Nervose, lunghe, affusolate. Immagino che dipenda perlopiù dal rimedio antigelo varsaviano: se senti freddo, vuol dire che non stai camminando abbastanza in fretta. Vedi anche alla voce  Lentezza

Hi, do you speak english?: Purtroppo spesso la risposta è “No”, soprattutto tra chi ha più di trent’anni. Vale però sempre la pena di chiedere, per vedere il viso sorridente e cordiale del commerciante trasfigurarsi in una maschera di terrore all’idea di dover parlare la lingua della perfida Albione. 

Italiani all’estero: La mia insegnante di polacco, biondona con sorriso à la Katherine Heigl, sostiene di conoscere qualche parola di italiano. Nello specifico «pizza, pasta, bella ragazza», che sono i jolly del vocabolario medio dell’italiano all’estero. Se siete mai stati in possesso di un frasario italiano-svedese o italiano-lituano avrete certo visto che i capitoli sono: 1) Presentazioni; 2) Auguri, feste e ricorrenze, 3) Approcci (“Mi piacciono molto i tuoi occhi.” – “Posso avere il tuo numero di telefono?” – “Cosa fai stasera?” – “Mi è piaciuto fare all’amore con te”). Io, dopo la preparazione teorica, ho avuto anche la fortuna di osservare qualche esemplare in carne e ossa nel suo habitat. Sono stata molto fortunata, perché i soggetti mi hanno avvicinata di loro spontanea volontà: “Oh, ferma quella! Dille di fare una foto con noi!” – “Sorry, ahem, you… Foto! Biutiful polish ledi, meic foto uit mi.” Mi è dispiaciuto deluderli, ma considerando l’importanza delle foto-ricordo-guarda-chi-mi-sono-chiavato per gli italiani all’estero, ho preferito che andassero alla ricerca di un’altra: se non più polacca, almeno più gnocca. 

Lentezza: Varsavia non sfugge alla regola della frenesia cittadina. Nei sottopassaggi, in Nowy Świat, le persone corrono, non importa verso dove, come se non avessero fatto nient’altro da quando sono nate. C’è tuttavia un luogo in cui il tempo pare fermarsi: alle casse. Fatto inaccettabile per qualsiasi originario del Milanese (ma, suppongo, anche per gli ex-parigini), la maggior parte delle cassiere sembra avere braccia di cemento e sinapsi di polistirolo. Due persone davanti a te = 15 minuti di attesa. Cinque persone davanti a te = monta la verandina. Dieci persone = portati un sacco a pelo, o lascia stare. Non vi sono soluzioni, se non la pazienza. 


Suzanne Eyre